Welcome back to the Bates Motel sister location 🙂 Before we even began shooting, we looked around the room, and took it all in. Similar how I do abandoned buildings. The dated bedspread, the tv straight from 1993, and a very old coat or garment rack half heartedly screwed into the wood paneling walls. We were thinking, PERFECT! We’re going to use this! For a location intimate photographer, it’s important to notice every detail of your surroundings, no matter how slight the detail, and use what grabs your attention. Not every eye would see this room the same. This is another exercise of making a beautiful photograph with capturing the female form in it’s elegant simplicity, even in a motel room most people wouldn’t want to stay in.
I told you we’d find a use for that wall rack 😀 Shape and the artistic nude female form, light and shadows, it all comes together.
Another very random feature if this room was a fairly long nook in the back of the room, very linear, maybe 8 feet deep and 4-5 feet wide. There was nothing in there except a table and no chairs. So, we made a use for it. I’m sure those walls could tell a lot of stories, but probably none like this. Such a linear space, to keep some mood in the lighting, was a challenge. For this shoot I used a continuous ring light that mounts on my stand and has a flexible mounting neck, so I placed it directly above her. The rest of the shoot was done with the ring light strategically placed for some lighting contrast along with the little bit of available ambient through the window. But this worked to keep it moody and soft lighting, yet not be flat like on camera flash.
I hope you’ve enjoyed part 2 of the roadside motel series.