While I was at the photographers’ get together out in the country, I spotted an abandoned house that no one else really saw as a prospective location to capture great art through a camera lens. I saw all kinds of possibilities there, would be perfect for a ghost from the past to haunt this house….ideas began to brew. One of the models there had some idle time, and she was perfect for this! She had a white dress, and we found an axe handle at the property. Perfecto. I explained to her the concept I had in mind, and that we would be doing double exposure photography. Which means I use a tripod so non moving objects in the photo aren’t blurred. The camera has a solid base that hand holding it can’t provide slower than 1/15 to 1/30 second for most photographers. But moving objects get blurred. And for her to be a somewhat opaque ghost, she would need to make her movements quick and robotic, then stop short and stay still so she isn’t all one big blur. It’s a challenge and unique skill set for the photographer and the model to do double exposure, shutter drag photography.
While the shutter is open, any movement is blurred and trailed….and how much depends on shutter speed. Freezing after movement is how the subject’s image is recognizable but opaque and ghostly. Doing that in the time the shutter is open is the trick. And doing this in any sun condition is an even greater challenge because slow shutter speed lets more light in, and most lenses have an F22 or F32 Fstop limit. For more detailed technical information on how to do successful long exposure photography, I will point you to my mainstream photography blog article that explains it more technically. 🙂 How to do shutter drag photography . Also an earlier article on this blog 🙂 http://farrellgallery.com/blog/double-exposure-photography/
I hope you enjoy this recent artistic creation, thanks Heather for your patience!